0-9 | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X-Z |
Sun Pt.3 1950-1953
Location: Memphis, Tennessee - Address: 706 Union Ave. at Marshall
Proprietor: Sam C. Phillips
Diese Aufnahmen vom Memphis Recording-Service an der 706 Union Ave in Memphis wurden ebenfalls in den legendären Sun-Studios von Sam Philips aufgenommen.
Y | MasterNr | Seite | Artist | Song | Year | USA | RB | CW | GB | BRD |
---|---|---|---|---|---|---|---|---|---|---|
* | 1511 | A | Boogie For Me Baby | 1950 | ||||||
* | 756 | A | Just One Mistake | 1952 | ||||||
* | 756 | B | 1952 | |||||||
* | 1458 | A | 1951 | 1 | ||||||
* | 1458 | B | Come Back Where You Belong | 1951 | ||||||
* | 1459 | A | Heartbroken & Worried | 1951 | ||||||
* | 1465 | A | Ridin' The Boogie | 1951 | ||||||
1465 | B | She Really Treats Me Wrong | 1951 | |||||||
* | 1466 | A | Night Workin' Blues | 1951 | ||||||
* | 1466 | B | Why Did You Dee Gee | 1951 | ||||||
* | 1469 | A | My Real Gone Rocket | 1952 | ||||||
1469 | B | 1952 | ||||||||
* | 1472 | A | Independent Woman | 1951 | ||||||
1472 | B | 1951 | ||||||||
* | 1475 | A | 1951 | |||||||
1475 | B | 1951 | ||||||||
* | 1479 | A | 1951 | 4 | ||||||
* | 1479 | A | Moanin' At Midnight | 1951 | 10 | |||||
* | 1487 | A | 1952 | 1 | ||||||
1487 | B | I Love You Till The Day I Die | 1952 | |||||||
* | 1494 | A | Howlin' Tomcat | 1952 | ||||||
1494 | B | She'S Done Moved | 1952 | |||||||
1495 | A | 1952 | ||||||||
1495 | B | 1952 | ||||||||
* | 1497 | A | Howlin' Wolf Boogie | 1952 | ||||||
* | 1497 | B | Wolf Is At Your Door | 1952 | ||||||
* | 1504 | A | Doctor Ross Boogie | 1951 | ||||||
* | 1504 | B | Country Clown | 1951 | ||||||
* | 1508 | A | 1951 | |||||||
* | 1510 | A | Mr. Highway Man | 1952 | ||||||
* | 1515 | A | Saddle My Pony | 1952 | ||||||
* | 1515 | B | 1952 | |||||||
* | 1517 | A | Decorate The Counter | 1952 | ||||||
* | 1517 | B | 1952 | |||||||
* | 1528 | B | 1952 | |||||||
* | 1529 | A | 1952 | |||||||
* | 1529 | B | West Winds Are Blowing | 1952 | ||||||
* | 1547 | A | Beale Street Shuffle (I) | 1953 | ||||||
1547 | B | 1953 | ||||||||
* | 109 | A | 1953 | |||||||
* | 109 | B | Wise To You Baby | 1953 | ||||||
* | 5015 | B | Skunk Hollow Boogie | 1951 | ||||||
* | 5026 | B | Memphis Bounce | 1951 | ||||||
* | 795 | A | Heartache Baby | 1951 | ||||||
* | 795 | B | 1951 | |||||||
* | 809 | A | 1951 | |||||||
* | 809 | B | Now Tell Me Baby | 1951 | ||||||
* | 813 | B | Boogie In The Park | 1951 | ||||||
* | 822 | A | Street Walkin' Woman | 1951 | ||||||
* | 822 | B | Walkin' Talkin' Blues | 1951 | ||||||
* | 839 | A | 1951 | |||||||
* | 839 | B | Gotta Go Baby | 1951 | ||||||
* | 848 | B | Crying All Night Long | 1951 | ||||||
* | 856 | A | Chocolate Blonde | 1951 | ||||||
* | 856 | B | 1951 | |||||||
* | 864 | A | Bad Woman Bad Whiskey | 1952 | ||||||
* | 864 | B | 1952 | |||||||
868 | A | 1952 | ||||||||
868 | B | Drifting From Town To Town | 1952 | |||||||
* | 304 | B | Mistreated Woman | 1950 | ||||||
* | 318 | A | 1951 | |||||||
318 | B | 1951 | ||||||||
* | 322 | B | City Women | 1951 | ||||||
* | 323 | A | B.B. Blues | 1951 | ||||||
* | 323 | B | 1951 | |||||||
* | 324 | A | Saddle The Cow | 1952 | 9 | |||||
* | 324 | B | Ouch Pretty Baby | 1952 | ||||||
* | 327 | A | 1951 | |||||||
* | 327 | B | 1951 | |||||||
* | 336 | A | 1951 | |||||||
* | 336 | B | A New Remedy For Love | 1951 | ||||||
* | 338 | B | 1951 | |||||||
* | 344 | A | Booted (Rpm-Version) | 1952 | 1 | |||||
* | 348 | A | She Don'T Move No More | 1952 | ||||||
* | 348 | B | Fine Looking Woman | 1952 | ||||||
* | 365 | A | Two Kind Of Women | 1952 | ||||||
* | 365 | B | 1952 | |||||||
* | 187 | A | Strange Kind Of Feeling | 1952 | ||||||
* | 187 | B | Early In The Morning Baby | 1952 | ||||||
* | 188 | A | Blues Disease | 1952 | ||||||
* | 188 | B | Don'T Lay This Job On Me | 1952 | ||||||
* | 189 | A | 1953 | |||||||
* | 189 | B | 1953 | |||||||
* | 190 | A | Hot Fish | 1953 | ||||||
* | 190 | B | Lost In Korea | 1953 | ||||||
* | 192 | A | 1953 | |||||||
* | 193 | A | 1953 |
87 Einträge insgesamt
* die Jahrgangsangaben in den Labeldiscographien sind nach bestem Wissen ergänzt.
Abweichungen zwischen Aufnahmejahr und Releasejahr sind vor allem bei Endjahres-Aufnhamen oder in den Kriegsjahren an der Tagesordnung.
* wir konzentrieren uns bei HitHistory vor allem auf den englisch-sprachigen Musikmarkt. Wenn wir auszugsweise auch Deutsche Plattenfirmen betrachten, dann meist vor allem den Hitparadenanteil davon. Wir würden uns jedoch sehr freuen, den ein oder anderen Spezialisten in unserer Runde begrüßen zu dürfen, der sich auch für Deutsche Singles die Zeit nehmen möchte, um unsere Datenbank weiter wachsen zu lassen.
** wir sind für jede konstruktive Mitteilung dankbar, die unseren Datenbestand ergänzt oder Fehler in unserem Datenbestand bereinigt. Vielen Dank für Ihre Mithilfe.