0-9 | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X-Z |
Freedom 1949-1960
Location: Hollywood, California - Address: 6124 Santa Monica Blvd.
A&R-Manager: Jerry Capehart, Proprietor: Samuel Kahl
Y | MasterNr | Seite | Artist | Song | Year | USA | RB | CW | GB | BRD |
---|---|---|---|---|---|---|---|---|---|---|
* | 1506 | A | Rock Awhile | 1949 | ||||||
1506 | B | 1949 | ||||||||
* | 1508 | A | 1949 | |||||||
* | 1508 | B | Ugly Mae | 1949 | ||||||
1509 | A | 1949 | ||||||||
1509 | B | Log House On The Hill | 1949 | |||||||
* | 1513 | A | 1949 | |||||||
1513 | B | Guess I'Ll Walk Alone | 1949 | |||||||
* | 1517 | A | 1949 | 8 | ||||||
* | 1517 | B | Shout Baby Shout | 1949 | ||||||
* | 1518 | A | She'S Just Old Fashioned | 1949 | ||||||
1518 | B | It Is True | 1949 | |||||||
* | 1519 | A | Down In The Groovy | 1949 | ||||||
1520 | A | 1949 | ||||||||
1520 | B | 1949 | ||||||||
* | 1521 | A | 1949 | |||||||
1523 | A | 1949 | ||||||||
1523 | B | Sneaky Joe | 1949 | |||||||
* | 1526 | A | 1949 | |||||||
* | 1526 | B | Waycross Mama Blues | 1949 | ||||||
1529 | A | 1949 | ||||||||
1529 | B | All Through My Dreams | 1949 | |||||||
* | 1531 | A | Still In The Dark | 1950 | 9 | |||||
* | 1531 | B | 1949 | |||||||
1533 | A | 1950 | ||||||||
* | 1533 | B | Low Top Inn | 1950 | ||||||
* | 1535 | A | 1950 | |||||||
* | 1535 | B | Jump The Blues | 1950 | ||||||
* | 1536 | A | Come On Let'S Boogie | 1950 | ||||||
1536 | B | 1950 | ||||||||
1537 | A | Life Is Like A Card Game | 1950 | |||||||
1537 | B | Just A Travelin' Man | 1950 | |||||||
1540 | A | Feeling Happy '50 | 1950 | |||||||
1540 | B | 1950 | ||||||||
1541 | A | She Walk - She Walk - She Walk | 1950 | |||||||
1541 | B | She Walk - She Walk - She Walk (Pt.2) | 1950 | |||||||
1544 | A | 1950 | ||||||||
1544 | B | Somebody Gotta Go | 1950 | |||||||
1546 | A | 1950 | ||||||||
* | 1546 | B | 1950 | |||||||
* | 5025 | A | Hula Boogie | 1950 | ||||||
5025 | B | 1950 | ||||||||
* | 5033 | A | No Shoes Boogie | 1951 | ||||||
5033 | B | 1951 | ||||||||
* | 44001 | A | I'M Restless | 1959 | ||||||
44001 | B | 1959 | ||||||||
44002 | A | Jeff Stone & The |
1958 | |||||||
44002 | B | Jerry Stone & The |
1958 | |||||||
44003 | A | 1958 | ||||||||
44003 | B | That' Me Without You | 1958 | |||||||
* | 44004 | A | 1958 | |||||||
44004 | B | 1958 | ||||||||
* | 44005 | A | 1959 | |||||||
44005 | B | Pleading For Your Love | 1959 | |||||||
44006 | A | 1959 | ||||||||
44006 | B | Three Hundred & Sixty-Five | 1959 | |||||||
* | 44007 | A | 1959 | |||||||
* | 44007 | B | I'M Studyin' You | 1959 | ||||||
44008 | A | 1959 | ||||||||
44008 | B | 1959 | ||||||||
44009 | A | 1959 | ||||||||
44009 | B | What It Means To Have A Friend | 1959 | |||||||
* | 44010 | A | Cha Cha With The Zombies (N) | 1959 | ||||||
44010 | B | 1959 | ||||||||
* | 44011 | A | Me & The Bear | 1959 | ||||||
44011 | B | 1959 | ||||||||
44012 | A | How Come You Don'T Love Me | 1959 | |||||||
44012 | B | When The Sun | 1959 | |||||||
44013 | A | 1959 | ||||||||
44013 | B | Suddenly You Want To Dance | 1959 | |||||||
* | 44014 | A | Balboa Bop | 1959 | ||||||
44014 | B | Cinderella Doll | 1959 | |||||||
44015 | A | Riff Runner | 1959 | |||||||
44015 | B | 1959 | ||||||||
44016 | A | 1959 | ||||||||
44016 | B | Oh Baby Oh | 1959 | |||||||
* | 44017 | A | 1959 | |||||||
44017 | B | 1959 | ||||||||
44018 | A | 1959 | ||||||||
44018 | B | Walk A Dog | 1959 | |||||||
44019 | A | 1959 | ||||||||
44019 | B | 1959 | ||||||||
* | 44020 | A | 1959 | |||||||
44020 | B | 1959 | ||||||||
44021 | A | Billy Billy | 1959 | |||||||
44021 | B | 1959 | ||||||||
44022 | A | 1959 | ||||||||
44022 | B | Gotta Make Love To You | 1959 | |||||||
44023 | A | 1959 | ||||||||
44023 | B | 1959 | ||||||||
44024 | A | 1960 | ||||||||
44024 | B | 1960 | ||||||||
* | 44025 | A | 1960 | |||||||
44025 | B | Long As Little Birds Fly | 1960 |
94 Einträge insgesamt
* die Jahrgangsangaben in den Labeldiscographien sind nach bestem Wissen ergänzt.
Abweichungen zwischen Aufnahmejahr und Releasejahr sind vor allem bei Endjahres-Aufnhamen oder in den Kriegsjahren an der Tagesordnung.
* wir konzentrieren uns bei HitHistory vor allem auf den englisch-sprachigen Musikmarkt. Wenn wir auszugsweise auch Deutsche Plattenfirmen betrachten, dann meist vor allem den Hitparadenanteil davon. Wir würden uns jedoch sehr freuen, den ein oder anderen Spezialisten in unserer Runde begrüßen zu dürfen, der sich auch für Deutsche Singles die Zeit nehmen möchte, um unsere Datenbank weiter wachsen zu lassen.
** wir sind für jede konstruktive Mitteilung dankbar, die unseren Datenbestand ergänzt oder Fehler in unserem Datenbestand bereinigt. Vielen Dank für Ihre Mithilfe.